That being said there are still many ways you can vary the rhythm of a motive without altering it's inherent character. Harmony: Although it is the shortest note and on a weak beat, the last pitch of C feels like the tonic. Writing a short motive does not require any kind of divine intervention, just a bit of experimentation. When I first arrived in Los Angeles, a year after I had graduated from Boston Conservatory of Music with a degree in Composition, like most young composers who came here I struggled to get songs published and hired to score films and TV shows. As I mentioned above, if you develop your idea too far it can become too unique and no longer a recognizable variation. You can't just stop the article right there! Here are some things you could do with your motif. For some of you, it might “just happen.” While riding the bus or washing the dishes, a tune — or just a few notes, or a rhythm — might pop into your head. Coffee and the Arabian Dance are not the same piece in the Nutcracker. Lead discussions. Music themes and motifs in music. Beethoven used to carry around a small notebook everywhere he went, sketching out ideas and developing his motives even on a long walk through the woods. It may return “upside down” (with the notes going up instead of down, for example), or with the pitches or rhythms altered. 9: From the New World”). It can help you answer this question if you break down your idea into smaller chunks. In our sample melody, after the first repetition (bars 5-9), the composer adds some chords, and then returns to the original solo melody (bars 10-13). They become real and can be more inspiring and thought provoking than just pixels on a screen. Record/write down your motif. Listen to it while you’re walking somewhere, or commuting to school or to work (remember, Noteflight scores open on most mobile devices). You can always start over later. Here are some ways to vary a musical idea that have been popular with composers during the past, oh, thousand years or so, and probably a lot longer than that: A. Speed/Tempo: Speed it up!

There are other motives in this musical, too, and in many other musicals (Phantom of the Opera, for example). Ryan Leach is an LA based composer, arranger and producer. Look again at the idea you came up with. This not only changes the order of the notes, but also the shape — from an upward line to a downward line. 1. Write it down somewhere, separately from the rest of your idea. More on that later: for now, just look at the idea you composed, and notice what you can notice. Slooow it dooown… using the tempo marking. — PreSonus Studio One 5 Delivers Extensive Live Performance and Scoring Feature... TheoryBoard Thy333 Is A Controller That Makes Music Theory Easier, FeelYourSound Releases ChordPotion 2.0, MIDI Sequencer And Effect Plug-In, Understanding Music Theory for DAW Musicians: Notes on the Staff and Clefs. Many other classical works are also full of motivic development, particularly works written in the late nineteenth or early twentieth century.

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