Differences between the Rode NT1-A and the NT1. And the third type of capsule uses the K67 backplate pattern, but the diaphragm is edge-terminated and has a very unusual drilled aluminum plate on the back side instead of the usual back diaphragm. One of them is center-terminated and is basically a K67 recreation (intentional 8kHz boost). But this is no slavish emulation, Rode has managed to capture that essence of a real workhorse with the NT1. The surface-mount PCB design for the NT1-A was adapted from the company’s NT1000, according to MIX, although it boasted superior specifications to the NT1000 (as well as the NT1). The sound quality is absolutely fantastic.. The NT1 has a slightly bright tone, with a … It shipped with a vinyl storage pouch and a ring mount. But this is no slavish emulation, Rode has managed to capture that essence of a real workhorse with the NT1. See sidebar link for more information. The NT1 and NT1a mics use three different capsule variations based around the K67-type backplates. Frequency Response: 20Hz – 20kHz; SPL: 132dB; Sensitivity: -29.0dB; Self Noise: 4.5dB; Check the price of the Rode NT1 here. Another … has a HF resonator plate for even more HF [boost]. To be clear, the integrated circuit on the NT1-A board is not part of the audio circuit; it is simply a voltage multiplier feeding DC voltage to power the capsule. this is the best i could do since i can't figure out why my torrent isn't working and dropbox deleted all my links due to excess traffic. It’s part of what made the U87 a classic in the first place — it just works, a lot of the time. Our best information is that the NT1-A uses a 34mm edge-terminated capsule (28mm diaphragm), whereas photos of the NT-1 show what appears to be a typical China-supplied K67 derivative (center-terminated). While the NT1-A has a neutral-leaning frequency response, the NT1 has a very neutral-leaning frequency response. Height. It has a harsh high end and no body or warmth in the mid range. The frequency response chart is what separates an amazing mic like Neumann, Telefunken, and AKG from the rest, and the Rode NT1-A has an average frequency response. The Rode NT1 was a large-diaphragm FET condenser microphone designed by Jim Williams of Audio Upgrades. It’s part of what made the U87 a classic in the first place — it just works, a lot of the time. The frequency response is very smooth all the way from 20 Hz to 20 kHz, with only a very small presence bump around 12 kHz. The NT1 is a great mic, and not just for the money. the entire warbeats.com website i have downloaded and available for your guy's pleasures. Did we get anything wrong on this page? How does the Rode NT1-A compare to the Rode NT1? Some disparity exists between published specifications. The capsule in the NT1-A is said to have been retained from the original mic, but reports from mic owners suggest that some production runs utilized alternative capsules. This could reflect a change in test methodology, or an improvement in the product over the 5 intervening years. The mic was released in 2004. In this Rode NT1 vs NT1A comparison, we’ll take a look at the differences in specs, frequency response, polar patterns, and overall sound and performance to help you make a good decision. Perhaps most significantly, the NT1-A employs surface-mount components on the circuit board. In the sample microphone we tested, the backplate was polarized to +75VDC — which is high for a condenser capsule, but is presumably part of the reason the mic has such a low noise floor. The microphones frequency response is relatively flat, with a slight boost around 3kHz adding a brighter sounding clarity to your recording. It was built “modified.”, This is one of the nicest sub-£1000 mics I’ve heard to date, and at £329 it must qualify as one of the best bargains around…. It’s voiced with less emphasis all-round, which makes it a great all-purpose mic. It’s also got the largest frequency response of any of the mic types. Frequency Chart for Rode NT1 From the chart above we can observe that the frequency response is incredibly flat. The new NT1-A (the “A” stands for “anniversary model”) comes from pairing the true condenser (externally polarized), 1-inch-diameter, gold-sputtered capsule from the original NT1 with J-FET surface-mount electronics modeled on RØDE’s NT1000 for an entirely new creation, with a personality of its own, an impressive 5dBA self-noise spec and a new nickel-finish body. They’re very similar except for when it comes to the frequency response. The current version of the Rode NT1 was created after the NT1-A. The NT1-As … sounded great in every application appropriate for large-diaphragm condensers. The grille of the NT1-A is slightly larger than on the NT1, according to Audio Technology, and the exterior finish changed from “hospital blue” to satin nickel. The amplifier circuit employed high-grade components from Röderstein, Hitachi, and WIMA. Lets dig in. It’s voiced with less emphasis all-round, which makes it a great all-purpose mic. Mods for the NT1. The NT1-A is also available in a factory-matched pair. The NT1-A’s capsule (1″ diameter) has its own shock mount within the unit, stopping any vibrations resonating with the body of the mic from muddying up your sound. There is a roll-off from around 30Hz to 20Hz and then a slight lift by 1 dB between 4kHz and 10kHz, before tapering off at roughly 15kHz. It was received as a remarkable microphone at its price point (£329 = ~$530 in 1997 dollars). Sonically the NT1-A seems to have a little more in the extreme highs and less midrange presence than the NT1, making it a slightly smoother and more comfortable microphone to use on vocals and stringed instruments. The NT1-A is supplied with a shock mount and zip pouch. remakes and kits and more The microphones frequency response is relatively flat, with a slight boost around 3kHz adding a brighter sounding clarity to your recording. The NT1 and NT1a mics use three different capsule variations based around the K67-type backplates. The mic had a painted finish that was variously described as “creamy gray,” “reassuringly vintage” (SoundOnSound) and “public hospital blue” (Audio Technology). As you can see it has German Roederstein metal film resistors and Wima polypropylene film caps. The Rode NT1 is the newer and updated version of the famous NT1-A which was released almost 14 years prior.. It’s been completely redesigned from the ground up and the only component both of these microphones share is the mesh grille. Did we get anything wrong on this page? And the third type of capsule uses the K67 backplate pattern, but the diaphragm is edge-terminated and has a very unusual drilled aluminum plate on the back side instead of the usual back diaphragm. For example, the NT1-A’s self-noise is just 5dBA, whereas its predecessor produced 13–17dBA of self-noise (reports vary). The original NT1 was was designed by Jim Williams of Audio Upgrades, and employed high-grade through-hole components. The NT1-A was described as an “Anniversary” edition, but is essentially an entirely new microphone design. The frequency response chart is what separates an amazing mic like Neumann, Telefunken, and AKG from the rest, and the Rode NT1-A has an average frequency response. The NT1-A is a revision to the company’s NT1, a fixed-cardioid, large-diaphragm FET condenser. Capsule/circuitry photo credits: Ryan Fisher, Tom Drinkwater, I designed it with super low-noise Hitachi transistors and a Siliconix rf JFET. The RØDE NT1-A is also known as: NT1A. For example, a 2002 spec sheet from Rode cites the self-noise at “<13dBA” and the sensitivity at 20mV/Pa, whereas a 1997 SOS review claims 17dBA self-noise and 18mV/Pa sensitivity. Size & Weight. The Rode NT1-A features a much brighter and open sounding high-end because of the high frequency boost, which opens up those frequencies giving them a much more “airy” feel. Cardioid Because of that, it’s easier to capture sound more clearly with one of these. (25 mV/Pa; 20 - 20,000 Hz). Condensers well known for how they sound on vocals and all acoustic instruments. the entire looperman.com website i have downloaded and organized by genre / catagory / loop_name_loop_bpm.mp3. Cardioid One of them is center-terminated and is basically a K67 recreation (intentional 8kHz boost). The NT1 is a great mic, and not just for the money. Microphone Parts Replacing the stock capsule in the Rode NT-1 with an RK-47 revoices the microphone, replacing the bright/peaky high frequency with a broader, flatter response … Please let us know! The frequency response is very smooth all the way from 20 Hz to 20 kHz, with only a very small presence bump around 12 kHz. The newer mic was billed as “The World’s Quietest Studio Condenser Microphone,” and although quieter mics have since been produced, the NT1-A remains among the lowest noise condensers we’ve seen. They can handle extremely loud SPLs without the need for a pad, and their self-noise spec is a huge bonus. The output circuit was electronically-balanced and transformerless.

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