Study 19 Terms | ch10 - Quiz Flashcards | Quizlet Profile: Jo Jones (born October 7, 1911, Chicago, Illinois, USA - died September 3 1985, New York City, New York, USA) was an American jazz drummer. A true pioneer of jazz percussion his style, grace, and incredibly musical approach to drumming inspired other legends, including Buddy Rich, Louie Bellson, Max Roach and Kenny Clarke. I didn't have a snare drum, so I put the banjo head on a stand." Watts' first group, the Jo Jones All Stars, were a jazz band. Here's Philly Joe Jones's drum solo on Let's Cool One, from the Clark Terry album In Orbit. People played these drums with two sticks (instead of one stick and their hand) and many of the modern techniques for playing drums (rudiments and other exercises that drummers practice today) were documented and standardized. He had a little 20-inch bass drum, and a snare drum, cymbal, and a hi . PDF Teaching Jazz Drumset - PAS Buddy Rich and Louie Bellson were just two musicians who learned from his light but forceful playing, as Jones swung the Count Basie Orchestra with just the right accents and sounds. Actually, Chick Webb, Jo Jones, O'Neil Spencer and Sidney Catlett had the greatest influence on me. Smith appeared in another set playing Jo Jones on the hi-hat. Added to the recipe were comments on accents made on the snare and bass drums, often in close conjunction. Louie Bellson. Moon played drums as a lead instrument in an era when drums were generally supposed only to keep the back beat. Jones is as entertaining to watch as he is a phenomenal drummer, so I collected a few videos featuring his performances and even some interviews with the man. [Morello mimics Jo Jone's raspy voice.] It sounds a lot like a solo Philly Joe Jones would play. It finally grew into a "hi-hat" when drummers like Jo Jones and Gene Krupa wanted to play it with their drum sticks as well as their feet. Releases include: The Golden Years (Billie Holiday), Newport Rebels (Charles Mingus / Max Roach / Eric Dolphy / Roy Eldridge / Jo Jones), Teddy Wilson — Billie Holiday (Teddy Wilson and His Orchestra Featuring Billie Holiday). Jones was known for using the hi-hats as a timekeeping device instead of the bass drum. Philly Joe Jones was born with the name Joseph Rudolph Jones in the city of Philadelphia on July 15, 1923. Jonathan David Samuel Jones (October 7, 1911 - September 3, 1985) was an American jazz drummer. Rogers Dyna Prototypes and First Two Drums. That's all he had. Jo Jones played drums with Count Basie Jo Jones great innovation was that he transformed the beat from the snare and bass drums to the high-hat cymbal Milt Hinton expanded the walking role of the bass by - playing with inventive melodic figures - using more advanced harmonies -syncopating his rhythmic support . Count Basie. Later Philly Joe Jones played with Bill Evans and was a founding member of Dameronia. Pappa Jo Jones was the session drummer and played a 2 pc kit. Papa Jo Jones 4x14 Ludwig Black Beauty Snare Drum. Jones is also known for being a role model and mentor to many young drummers. Buddy Rich and Louie Bellson were just two who learned from his light but forceful playing, as Jones swung the Count Basie Orchestra with just the right accents and sounds. As Erskine recounts, that are not very many other guys that "could drive a band like that and also play the hi-hat." More than a pro, Smith was then a talented drummer who recognized new ideas and put them into action without hesitation. "It was Jo Jones who showed us all what to play on it." Jones' techniques included taking his right foot off the bass drum pedal and tapping his right heel on the floor while keeping the time going on his hi-hats, and playing time with his right hand on the hats while tapping out a counterpoint with his left hand on the stand itself. Musical big band drum-mers learn to play the music by listening to it. "So I took the neck off, and at the same time I heard a drummer called Chico Hamilton, who played with Gerry Mulligan, and I wanted to play like that, with brushes. Jo Jones. With Mastercraft snares, be sure to check the alignment of both roller guides in relation to the shell because there is some play that can occur. Seemingly ageless, Roy Haynes has played the drums from the bebop days of the 1940s to the present day with the same restless energy. Listen for [concepts] that make a big band drummer musical. That's a whole other world." -Tony Williams "The drum is the heart of music. As you can see in our studio photos, the drum was stenciled "CRI . 12. As you can see in our studio photos, the drum was stenciled "CRI" which marked the instrument as property of Columbia Recording Studios, Inc. (many busy drummers didn't want to haul around . Boy, that guy taught me a lot, because I played opposite him for about six or seven weeks at the Embers. Music Corporation of America was a radio program broadcast on WSM that expanded the audience for country music in the 1930s. Born in Philadelphia in 1923, he became known as Philly Joe Jones for not being confused with Count Basie Orchestra's drummer Jo Jones. d. "Music Corporation of America" was a hit song by the Glenn Miller Orchestra in 1939. e. Gigs played: Over 100 Available to gig: 2-3 nights a week Influences. By the 30′s however, the concept had become somewhat standardized with the "4 piece set"we know and love today! After growing up in Alabama, Jones worked as a drummer and tap dancer . He doesn't exactly explain how he changed drumming in what we loosely call the West forever. Sites: Veteran TAMA snare owners know this, but others new to TAMA's roller guide snare system may not. I went there regularly for lessons and followed him to West 54th Street and Eighth Avenue, where he and Gene Krupa had their drum school. "Papa Jo" Jones, sometimes known as "Jo" Jones, was an influential jazz drummer during the 20th century. Jo Jones's great innovation was that he transferred the beat from the snare and bass drums to the high-hat cymbal. One of Art Tatum's most important recordings was "Over the Rainbow." . He worked as a drummer and tap dancer at carnival shows until joining Walter Page's band, the Blue Devils in Oklahoma City in the late 1920s. As one-fourth of the legendary All-American Rhythm Section in the Count Basie band (with Basie on piano, Freddie Green on guitar, and Walter Page on bass) from 1936 through 1948, Papa Jo provided the . The saxophone can play and then rest, as can all of them except the drums; the drummer keeps going - he can't afford to stop." — Jo Jones quotes from Quotefancy.com But you forget the physical frailty once he holds court behind his cymbals and drums. Drummers: Benny Greb Art Blakey Papa Jo Jones Herlin Riley . Jones is already a well-known force in jazz - but hearing him like this, you'll be even more surprised at his talents - as the recordings not only feature Jo . During his career he worked with such leaders as Duke Ellington, Benny Goodman, Tommy and Jimmy Dorsey, and his wife, singer Pearl Bailey. Nope, doesn't wash. It makes the solo feel like it was written for jazz. Buddy Rich played for the legendary bandleader. During his late teens, he played jazz in territory bands, including Walter Page 's 'Blue Devils', Harold Jones' Brownskin Syncopators (1931) and Lloyd Hunter's Serenaders (to 1933). 1. using more advanced harmonies. A Quick Glimpse Of Elvin Jones' Gear. SOLD. I knew nothing about him until after recording with Coleman Hawkins. Often the most-used part of the drum kit, a drummers' choice of cymbals for jazz can make a massive impact on their sound and performance. Jo Jones's great innovation was. The drums were a Gladstone snare and the 1920's "Ludwig Artists Special" bass drum. He was working with Tyree Glenn and Hank Jones. Listen for them in the playing of artists [like] Chick Webb, Buddy Rich, Jo Jones, Butch Miles, and Mel Lewis. You will learn how set up your drums and cymbals play in a Big Band, Tuning, Selecting Cymbals, Ride Cymbal Techniques and more: Garey studied with the late great John Moawad and with Jeff Hamilton and many great Big Band drummers such as: Papa Jo Jones, Sonny Payne, Gene Krupa, Jake Hanna, Mel Lewis, Shelly Mann, Louis Bellson, Buddy Rich . the time was "Papa" Jo Jones. True or False: During the Swing Era, rhythm sections fused into a unified rhythmic front, keeping time and marking the harmonies. [Morello mimics Jo Jone's raspy voice.] The 50s saw more support with drummers like Papa Jo Jones and Sidney 'Big Sid' Catlett. Papa Jo Jones was the epitome of swing, from his very early days with the Count Basie band in the '30s until he passed away in 1985. Pappa Jo Jones was the session drummer and played a 2 pc kit. his use of the high-hat cymbal. That style of playing was already established around New York. Max was studying vibes with Cozy. His playing exhibited so much finesse that he became the most influential drummer of his generation. Of course it's hard to actually hard to say. One night in 1937, a teenage musician called Charlie Parkerjoined a queue of players waiting to jam onstage at Kansas City's Reno Club. The father of modern drumming, Papa Jo Jones anchored the Count Basie band from 1934 to 1948. As there's another jazz drumming legend called Philly Joe Jones, he often went by the name of Papa Jo Jones to distinguish himself (the two, oddly, died only a few days . Jones is as entertaining to watch as he is a phenomenal drummer, so I collected a few videos featuring his performances and even some interviews with the man. Evans, like Davis, also openly stated that Jones was his all-time favorite drummer. Previously drummers had kept time with the bass drum and played various instruments and rhythms with their hands across the rest of the set. The first groove is the famous calypso played by Max Roach on "St Thomas" from the studio album Saxophone Colossus (1956) by Sonny Rollins. Philly Joe Jones, a leading modern-jazz drummer, died of a heart attack Friday at his home in Philadelphia. (Above) One of Elvin's classic kits - with Gretsch drums and Zildjian cymbals - featuring an 18" bass drum, a popular size among jazz drummers of the day. Chicago Collection Craviotto Kit 436. The drums were a Gladstone snare and the 1920's "Ludwig Artists Special" bass drum. He use to play his bass drum open, see. "Papa" Jo Jones the recognized father of modern jazz drumming, with his great hi-hat and brush technique, is shown with the Count Basie Band. Max Roach (1924-2007) One manufacturer's 7A isn't the same as another's 7A. The hi-hat was still developing at this time. A drumming post today to celebrate the life of jazz legend Jo Jones (1911 - 1985), who had one of the most distinctive (if bizarre) drumming styles we've ever come across. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page 's band, the Blue Devils in Oklahoma City in the late 1920s. He attended the Eastman School of Music from sixteen to eighteen, and was playing professionally in local clubs at sixteen. -- each answer shown -- Instrument experience: Drums: Expert Other Percussion: Advanced Piano: Beginner PHOTOS . Steve Smith On Drum He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones . Mr. Jones was a hard-hitting drummer who gave a spacious sense of . From 1950 to 1958 he was the drummer of Miles Davis' quintet, one of the most important groups in jazz history. Jo Jones did, too. He had a little 20-inch bass drum, and a snare drum, cymbal, and a hi-hat cymbal. Craviotto PR Birdseye bo. The Drums ( 2 × CD, Compilation, Reissue, Double Jewel Case) Frémeaux & Associés. Gus Johnson, Sonny Payne, Shadow Wilson and Duffy Jackson all sat behind drum kits for the orchestra, making sure the band swung. Also, you can feather the bass drum; meaning playing the bass drums in all quarter notes, but softly. Philly Joe Jones has also played with Bill Evans and was a founding member of band Dameronia in 1981. The first person I heard on radio who played broken rhythms using the bass drum and hi-hat was Jo Jones. Full music credits for Jo Jones: 228 performances. 1. Jo Jones, a jazz drummer who was a major innovator in the swing era, died of pneumonia Tuesday at New York Hospital. Jones almost single-handedly defined the role of the hi-hat cymbals in the rhythm section. Jo Jones looks like a summer breeze might bowl him over as he walks on stage with cane in hand. A true turning point in drum set history! The Drums, conceived in 1973 by jazz critic Hugues Panassié and recently reissued by Hudson Music, lets Papa Jo Jones run up the nut flag, and grants him roughly 80 minutes, mostly just voice and drums. It's a rather old fashioned way of soloing, with a lot of rudimental activity played on the snare drum, while the . It was a special occasion. Music Corporation of America was a western swing band that toured Texas and California in the 1930s. "Listen to Papa Jo Jones." Jones was the regular drummer for the Count Basie Orchestra, but also played with many of the top names in jazz and swing music. He can't afford to stop." -Jo Jones When Papa Jo Jones took the stage, he was the acknowledged elder statesman among the drummers on the bill—and among jazz drummers worldwide.

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